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returning

Nature is always at the centre of my work. Whether my concerns are social, personal, or spiritual, nature is where I look to understand my place in the world. The starting point for my work is the acceptance that nature is not necessarily as I know it to be. I allow myself to consider nature out of context, to displace it into a relationship that is unfamiliar. Questions evolve, one leading to another, the process of learning always inspiring new directions.
Most recently I have been thinking of nature as the context for human mortality. Last year while traveling on a six-month sabbatical through Tunisia, Greece, Turkey and Italy, I became particularly interested in burial sites and the ceremonies, vessels and images associated with them. Apart from obvious and expected differences in the traditions surrounding death and dying, it became clear to me that influences also come directly from the landscape.
The most immediate relationship between death and the landscape is decay. If we acknowledge that the process of decay is a physical event of duration, can we not also think of death as a physical, temporal process rather than an event of the moment? Whether ultimately leading to an abandonment of existence or a transformation elsewhere, death also includes the experience of our bodies being re-absorbed into the earth. Death is a time of our existence where things are happening.
The evolution of my work has brought me to think of death as a time of our most intimate relationship with nature. Without dismissing whatever other spiritual significance death might have for us, it also marks a coming together of whatever we have decided is Human on the one hand and of Nature on the other. What might nature’s cycles reveal to us about our own sense of temporal and physical existence? When do the layers of earth stop reaching up to this moment in time? What makes up the landscape and where does it end? How many lives are contained in a stone?
This body of work is an attempt to explore these ideas and possibilities, to question what, between us, might be absorbed or transformed, or perhaps even reveal itself as having always been the same.
  — Nina Leo